Mark Danner writes for the New Yorker and is a professor at Berkeley and Bard. He spoke in Cairo last week as a visiting professor at AUC, days before returning to Iraq to cover the civil war. Hear his lecture here.
Danner’s essay in the current New York Review of Books frames the course in Iraq in the 2002 warning of a then-98 year-old George F. Kennan: "Today, if we went into Iraq, like the president would like us to do, you know where you begin. You never know where you are going to end."
To what end will the exposure of the incompetence and criminality of bureaucratic decisions of the last 4 years lead? The American perception to the war was blinded; it’s more recently that the lethal blunders of the White House and Pentagon are being laid bare, in Bob Woodward’s State of Denial and in reviews/essays like Danner’s and the Economist’s Max Rodenbeck, also in NY Books. Condoleeza Rice didn’t know the chain of command in Iraq and Paul Bremer was stubborn in following orders to De-Baathify Iraq and immediately disband the army — even if the State Dept. knew nothing about the orders and found out about them after the fact, in the newspapers. As Danner writes,
The real shocks of the conflict — beyond that the decision makers in the Pentagon and White House were foreign policy amateurs to horrific degrees — are the human costs in Iraq and the dominance of what Danner calls a "War of Imagination" in America since 9/11. Leaders imagined transformation through a dilettante strategy for a new Iraq and a new Middle East; the region would mold itself to evangelical idealism and neocon pet projects, like Ahmad Chalabi, no matter how far apart that view was from all reality in Iraq and beyond. The American public, responding to buzz words and reminders of terror broadcast out of Washington to a cowed, obsessed media, widely believed the image. The bodies of American soldiers and arguments over how many hundreds of thousands of Iraqis have died jolted the dream.Since the first thrilling night of shock and awe, reported with breathless enthusiasm by the American television networks, the Iraq war has had at least two histories, that of the war itself and that of the American perception of it. As the months passed and the number of attacks in Iraq grew, the gap between those two histories opened wider and wider.
…for most Americans, the War of Imagination—built of nationalistic excitement and ideological hubris and administration pronouncements about "spreading democracy" and "greetings with sweets and flowers," and then about "dead-enders" and "turning points," and finally about "staying the course" and refusing "to cut and run"—began, under the pressure of nearly three thousand American dead and perhaps a hundred thousand or more dead Iraqis, to give way to grim reality.While Danner, like many others, sees in the midterm elections a public coming-to-grips with reality and a call to dramatically alter the American course in Iraq, I’m still skeptical. This is from the detachment of living in Cairo, but whether it’s the continued controversy of the term "civil war" in American war talk or the insistence, even today, on the benefit of free elections in a country that thousands flee daily, can you say the American public is really outraged?
Will they ever be, or is this Bush’s ultimate Mission Accomplished?
Art work: George Grosz. (American, 1893-1959. Born and died in Germany.). Die Gesundbeter (German Doctors Fighting the Blockade) from Got mit uns (God for us). (1918, published 1920). Via MoMA.
